Not that it really matters, but trying to learn about (Christian) God by reading the Old Testament is like trying to perform maintenance on your 2024 vehicle using a manual from the 2000 version of that car… Like, yeah, that was relevant once, and there’s some overlap, but the situation has evolved since then. It’s called the Old Testament because it is based on something outdated (again, from a generically Christian perspective). The Old Covenant (which is what the Old Testament is testifying to) was between God and the Jews, and was based around compliance with the law. That’s why the OT is so full of rules and punishments.

Then, Jesus arrives on the scene and changed the game. His birth, betrayal, and death, represent a new contract between God and humanity (not just the Jews) wherein mankind is saved by God’s grace alone. In fact, God has done a 180 on the whole obedience to the law thing. Turns out, God loves sinners, and prostitutes, and tax collectors, and prodigal sons, and all sorts of ne’er-do-wells that the God of the Old Testament would have reviled. From the death of Jesus forward (and maybe retroactively too, I don’t know dogma all that well), the only thing necessary for your salvation is God’s grace, and that is given to all, as long as you accept God into your heart or something like that. Basically, God is Darth Vader, and he has altered the deal, pray he does not alter it further.

Of course, as with anything A) religious and B) 2000+ years old, there’s a lot of disagreement on like every aspect of the above. But, I think I’ve got the gist of it correct from a generic, if Catholicism influenced, perspective. It’s been a long time since I had to sit through a theology lecture.

With all that being said though, I imagine that the reason the OT has stuck around in Christianity is that it’s characterization of God as vindictive and capricious and obsessed with toeing the line is a very useful tool for keeping the plebs compliant. They get to have their cake and eat it too, as it were. “God loves you unconditionally sweetie, remember that, but also if you have sex before marriage you are DAMNED to HELL for ETERNITY!”

Removed by mod

Further context, assuming the ruleset governing the OG Baldurs Gate games was true to the tabletop (I know they sort of kludged AD&D and aspects of 3e together). As the above said, a dual classed human “retires” their original class, and then begins to advance in their new class, essentially starting over from level 1, with only the hit dice and HP of their original class rolled over (you cannot access any of the class abilities you learned while advancing your original class). However, once your new class level is superior to your original class level, you can now access both skill sets.

It’s a very strange system, and I am curious what the fluff reasons surrounding it are, if anyone has any insight into that edition.

Man, Trespasser is an example of a game with some pretty wild ideas about immersion and puzzle solving in a first person shooter game that the tech just wasn’t quite able to pull off. If anyone is curious there is a positively antique Let’s Play on YouTube that discusses the game’s development, its relation to the wider Jurassic Park franchise, cut content, and, of course, the game in context. I think it may have come from the old Something Awful forums, and it remains, to my mind, the gold standard for what I’d like Let’s Plays to be. Worth checking out if you’ve the time.

It’s not even exclusive to cats. Some days, you just gotta sound your barbaric yawp over the roofs of the world, y’know?

Are you running any mods, or rolling vanilla?

You’re making the same points as the article (and the devs), hence OP stating that what he posted is not the “clickbait journalism” that you appeared to accuse it of being originally.

If you were saying the other articles referred to in the headline are clickbait journalism, then I’m pretty sure we’re all on the same page. Your phrasing was just a little ambiguous at first.

Oh my goodness. Thank you for pointing out the different VA. I knew something felt off, moreso than the new character models.

Also, I can’t help but feel like the updated Frank wandered out of the basement tier of fighters from a Street Fighter title. I feel like he should be chubbier and ruddier. I can’t speak for the direction they took the character in later installments but he always felt like kind of a goober schmuck whose “instincts” finally paid off. I like that characterization, especially in light of the game’s satire of clueless Americans.

I’ll keep an eye on this one. I never did get that achievement for killing the 53,000 zombies in a playthrough…

Now, history has taught me that whoever they bring in next will be worse in a myriad of new and depressing ways, but a kernel of irrational hope remains that the pendulum may swing in another direction and they’ll see if, instead of viewing their playerbase as untapped piggybacks, they focus on delivering good products at reasonable rates and see where that takes them. A pipe dream, I know.

Fair. I felt I should jump in and provide some more context than the other poster for exactly that reason. The worst thing a movie can be to me is dull, and those sequels qualify, in my opinion.

Only do so if you have high tolerance for bad filmmaking. I’ve seen the live action sequels, and they are BAD. The second film feels like an unrelated script that got attached to the IP for name recognition. As I recall, it’s dull, poorly acted, ugly, and cheap. The third film does lean into the IP, complete with satirical propaganda gags and, yes, mech suits make an appearance. However, my recollection of the rest of the movie is that it is dull, poorly acted, ugly, and cheap, but less so than the second.

If you enjoy Sci Fi Channel original movies from the early 00s, these movies are birds of a feather with those.

Reminds me of Liv Tyler for some reason

I recall Becky Chambers’ “A Long Way to a Small Angry Planet” emphasizing the found family theme pretty heavily over the course of the story, especially non-traditional relationships. In fact, the ship crew’s relationships with one another forms the crux of the drama. Even though there are big “Important” events happening in the background, the narrative is focused on what those events mean for the characters on the ship, rather than what they mean for the galaxy as a whole.

Just saw one that said the monster was going to give me a back ache. Like man, I am WAY ahead of you on that one.