Very much so (and there’s at least one patient gamers community around, because I’ve posted to one).

The only advantage I can see to playing a game on release is taking part in that first rush of interest, but I’m antisocial enough that that doesn’t appeal to me anyway, so I’m not missing anything there.

Beyond that, I think playing a game at least a year or so after release has all of the advantages. The initial flurry of absolute love vs. absolute hate has died down so it’s easier to get a broad view of the quality, the game is more stable, the price is better, dlc and expansions are out and generally packaged with the game, and best of all, in this current era, I can most likely buy it from GOG and actually have the full game, DRM-free, on my system.

And there are a bajillion good games out there, just waiting for me to discover them.

And I guarantee that billionaire Larry Ellison blithely believes that he’ll be exempt - that all of this surveillance will just be used against the little people. And he’s almost certainly right.

Not to diminish either the abilities of the builders or the sincerity of the researchers, it strikes me that there’s sort of an anthropic principle dynamic going on here…

That this structure exhibits sound building techniques essentially goes without saying, since it’s still standing. If it didn’t, it wouldn’t be, so researchers wouldn’t be able to study it and draw countervailing conclusions from it.

I’m entirely unsurprised.

D and D got a lot of heat for the last season of Game of Thrones, but I’ve never thought they were entirely, or even chiefly, to blame. Most of the problem really is that GRRM obviously desperately needed an editor to rein him in as the series went along, but for whatever reason, that didn’t happen. So now he has this huge, sprawling mess of a story that’s going in eighteen different directions at once, and just as D and D couldn’t manage to tie it all together, neither can he.

Most similar to Advance Wars:

Final Fantasy Tactics Advance

Tactics Ogre: Knight of Lodis

Super Robot Taisen: Original Generation

Shining Force:Resurrection of the Dark Dragon

Just in general:

Castlevania: Aria of Sorrow

Summon Night: Swordcraft Story 1 and 2

Drill Dozer

Golden Sun 1 and 2

Legend of Zelda: The Minish Cap

Harvest Moon: Friends of Mineral Town

Guru Logic Champ

Metroid Fusion

Metroid Zero Mission

Medabots RPG

Klonoa: Empire of Dreams

I’m often reminded of a cartoon I saw years ago, with a stereotypical Einsteinish physicist standing in front of a chalkboard, looking at this enormously complex formula with a big blank space in the middle of it. Then he gets a “eureka” expression and starts writing in the blank space. Then he steps back, and you can see that he’s filled the blank space with “and then something happens”.

How is anybody even surprised by this?

This is exactly the sort of thing Beth has been moving towards ever since their first ham-handed attempt to monetize mods deservedly blew up in their faces.

They didn’t give up on the idea - they just shifted to a strategy of doing it incrementally.

And this is just the latest step in that ongoing process.

Think about how bad it’s (very deliberately) going to be by the time TES 6 finally comes out…

I would presume it’s not paid yet (though the CEO certainly is). That phase of the operation comes later.

For the moment, they’re working to solidify as much control as possible of as much of the fediverse as possible, which control will allow them to gatekeep it, monetize it, extract rent from it and inevitably enshittify it. That, so it’s hoped, will be the phase during which their investment now will pay off.

So… by my count, the board of directors actually outnumber the employees.

At a “non-profit” (until that was revoked) company that gets most of its funding through Patreon.

Years from now (and at this rate, not very many of them), when people wonder how it was that such a promising venture that championed decentralization turned into just another enshittified megacorporation squatting over a piece of internet real estate and extracting rent to pay obscene salaries to a handful of executives - this is how. We’re watching as the foundation is being laid, right now.

Fuck you I won’t do what you tell me.

No - piracy, since it always carries at least some amount of difficulty and risk, is easy to compete against. And in fact, paid services, including Netflix, have proven that over and over. All it takes is to offer dependable convenience and quality and to treat customers well. People are always willing to pay a reasonable price for that.

The problem is that piracy becomes difficult to compete against when, as Netflix is currently doing, you shift from a business model of providing good service under fair terms for a reasonable price to a business model of providing crappy service under onerous terms for too much money, because the greedy, selfish, short-sighted sacks of shit at the top want to make even more obscene amounts of money. That’s the point at which piracy gains enough of an advantage to outweigh its difficulties and risks.

And when that’s the case, it’s pretty obvious what the real problem is.

Because if we were made of antimatter, then that’s what we would have declared to be matter, and it would still be the case that the stuff we’re not made of would be the antimatter.

Is it bad that I’m cynically unsurprised that this was in Spain?