I write science fiction, draw, paint, photobash, do woodworking, and dabble in 2d videogames design. Big fan of reducing waste, and of building community

https://jacobcoffinwrites.wordpress.com/

@jacobcoffin@writing.exchange

  • 35 Posts
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Joined 2 years ago
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Cake day: June 5th, 2023

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  • The genre name might not be common knowledge (and I’m not sure that’s the case) but cyberpunk aesthetics and themes and plot points have infiltrated so much of modern science fiction that cyberpunk communities frequently have trouble drawing a line around genre works vs mainstream scifi. And this is after companies and brand marketing “picked it too early” and made it a joke in the 90s. It just sort of kept going quietly, looked more and more prescient, and in the end, it had suffused through so many imaginations and works that it kind of was the mainstream.

    I’m not sure the same thing will happen with solarpunk but given the way cyberpunk seems to have acclimatized us to our current distopia, I sort of hope solarpunk can do something similar. Maybe wear the rough edges and propaganda fears off building a society that actually looks out for its people and the habitats they live in.





  • Throwing in a little odd advice for the secondhand scene - even if the shops are bad, I’ve had some good luck with estate sales and cleanouts (where a family or realtor basically opens the home to anyone who’ll cary stuff away and save them the trouble and cost of throwing it out). It can feel kinda bad, picking through stuff in that context, but we’ve saved a bunch of nice old tools and kitchen stuff that way, and the houses generally have everything else you might need for a house. Personally I think the best BIFL stuff is old and made before they really perfected enshitifying their products.

    The cleanouts I’ve been to we found through postings on our local free groups (which I also really recommend) or word of mouth, but I used to know some folks who went to them professionally, looking for merchandise for their own businesses, so they must be advertised somewhere normal people would find them too.


  • That makes sense to me - the word yacht might be implying too much a certain use case (it’s the name of a class of vessel but I think it also says ‘rich people toy’ on first impression). But house boats have been around for a long time and when they’re someone’s primary residence they sometimes represent a cheaper model of living, not unlike a mobile home. An airship houseboat is an interesting idea, I think it showed up at the end of Cory Doctorow’s Walkaway.


  • Technology and materials sciences have come a long way since the 1940s. For example, we can probably skip sealing the gasbag with solid rocket fuel. Hydrogen gets better lift than helium, it’s not a limited resource with higher-priority medical uses, and doesn’t require petroleum-style drilling. It’s flammable, as we saw in the past, but with modern engineering, modern materials, non-conductive pressure vessels, emergency release valves, no ignition sources or sparks in proximity, it seems like it can be done pretty safely.

    Until recently, I think, modern aviation had been admirably safety-focussed, in everything from engineering to operation. I’m not a fan of the airline industry and especially Boeing’s recent shortcuts, but I think solarpunk is very much about picking and choosing which parts of our society to keep and which to reexamine to see if they can be done better. Aviation safety is one of those things our society does know how to do well, and that seems very much worth keeping to me. Overall I trust aviation engineers to find ways to do hydrogen airships safely.


  • GraphineOS seems to set the benchmark for secure de-googled android phones and has a very short list of supported devices. I think I’d suggest starting with one of those, and once support eventually drops, if you’re comfortable with a reduced security capability, looking to lineageOS or similar. I think if Graphine supports a phone, it’s pretty much guaranteed to have support on the more general OSs.

    For a while I looked at ruggedized smartphones (some with removable batteries!) that were supported by lineageOS and others. I didn’t find one I was convinced would hold up as long as I wanted, and I had security concerns so I ended up getting a decent secondhand phone with guaranteed security support for a few years and putting it in a good case.

    Sometimes I check in on various raspberry pi smartphone projects. I love the idea and think it’d probably be able to last the longest (or be turned into something else after an upgrade) but I don’t think any feel reliable enough to me yet.



  • I hadn’t realized how lucky we were - we have one of those crunchy refill stores in town, where you can bring your own containers and buy various powders and liquids (primarily cleaning supplies though they do some seasonings as well. I wish I could buy orange juice that way (I basically gave up on drinking it because I didn’t need any more plastic bottles). We switched to various dilutions of castile soap for most things, and a generic dishwasher powder for our little countertop rig.




  • Thanks!

    I do have thoughts on that! This might be a little jumbled as it’s mostly off the cuff, but I think how much a society can be run only on renewable materials will depend on how much they’re willing to change their whole default framework, and what they’re prepared to give up in the short and long term to do it. Degrowth and library economy concepts would certainly apply. (I really like library economy stuff because I really like reuse).

    I think there’s an abundance of resources, from existing usable items to raw materials which have already been extracted already accessable to us out in the world.

    Right now there’s this default pipeline from extracted raw material to new (ideally fragile/flimsy/disposable) products to landfill. A library economy on steroids might include both tons of long-term reuse of whatever’s already been made, but also recycling of available materials that have already been extracted. There’ll always have to be new manufacture but ideally it’d be much reduced and anything made new would be designed to last and to be fixable. But that takes a ton of commitment on a societal level to using less and to sorting and distributing everything that already exists. It means mining junkyards and landfills for already-extracted raw materials and generally changing how we do things.

    When it comes to energy, I think there’s a sort of hurdle we have to get over - first we need to get most of our energy to renewable, then we can optimize for long term repairability. There’s a lot of interesting recycling processes ramping up for solar panels, and as I understand it, there are less-efficient designs that are more fixable. So for the short term, I suspect whatever designs get the job done we use, and after that, we can start adjusting for long term.

    My art tends to be of a society that’s as obsessed with reuse and externalities as ours is with money. They’re a society of scavengers and fixers and makers. That handwaved cultural change is sort of what I’ve chosen for my spec fix suspension of disbelief. Most of the tech I include already exists, but examining what a society that makes all its decisions around reducing harm would do with them is what I really enjoy.


  • They’ve been doing a bunch of cool solarpunk art for a bit, and they’ve started releasing it CC-BY (I think) including on wikimedia commons, which is great because otherwise the solarpunk category over there was mostly a bunch of AI art and proposed flags. (I’d added some of my photobashes so it wasn’t just AI representing the genre, but I’m very glad to have them contributing art with a lot of intent behind it.) I think a lot of the planning for their scenes comes from the solarpunk prompts podcast these days.







  • chinampas

    Hi, I’ve been reading up on chinampas to try to get the details right and I was hoping to borrow some of your tree knowledge. Most sources mention a willow (Ahuejote (Salix bonplandiana)) and a cypress (Taxodium mucronatum) as the trees they used to reinforce/replace the underwater fences for soil retention. I’m sort of doing this picture as if its in New Orleans (for some of the buildings and other details anyways) and I think that’s outside these specific trees current ranges. I was wondering: can I swap in any other cypress or willow since there are some native to Louisiana or would some cause problems?

    Here’s what I’ve got so far:

    I’m probably not showing enough alternating layers of plant matter and mud, but I’m hoping it gets the point across. I’ve tried to find good sources, so far these diagrams are my favorites:

    Some seem to show floating islands or like, a floating top layer with water underneath, inside the reed wall, which seems weird and inaccurate from what I’ve read. At this point, I mostly just want to get all the trees added, make sure they’re realistic, and find some accurate roots to include to show how they reinforce the earthworks. From what I’ve read it sounds like willow and cypress just kind of put roots everywhere (I’m used to being able to find clearer diagrams for trees like pines and oaks, but have struggled to find good drawings for these. Also might add cypress knees in the waterways where they’re really well established, we’ll see. Then I’ll start cleaning up the image and getting everything to match aesthetically.