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Joined 1 year ago
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Cake day: August 31st, 2023

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  • I hate this but I also get it.

    A little while ago on the TWIT podcast one of the guests, or maybe Leo himself, was talking about how this is exactly what they want out of AI, for it to be able to know how they use their computer and just streamline everything. Some people are really excited about the possibilities, and yeah, the AI needs to track whatever you’re doing to know how to help you with your work flow.

    That said, I don’t want Microsoft keeping track of everything I’m doing. They’ve already shown that they’re willing to sell our data and shove ads down our throats, so as much as they say we can filter out what we don’t want tracked, I’m not inclined to trust or believe them.




  • I’ve had the reverse issue, where I wanted to input a large amount of text for ChatGPT to work with. Tried to do a workaround where part of my prompt was that I was going to give it more information in parts. No matter how I phrased things it would always try to start working with whatever I gave it with the first prompt so I just gave up and did it myself.


  • Took me a second.

    But man, I don’t write academic papers anymore, but I have to write a lot of reports and such for my work and I’ve tried to use different LLM’s to help and almost always the biggest help is just in making me go “Man, this sucks, it should be more like this.” and then I proceed to just write the whole thing with the slight advantage of knowing what a badly written version looks like.


  • I really enjoyed “The Strike” when I discovered them on Spotify, but all of a sudden I noticed all their best songs were gone from my playlists and I found out they made specific albums/songs exclusive to their Bandcamp/physical copies, so I bought them off Band Camp.

    I’ve always been kinda mixed on that move like, they clearly know which of their songs people really wanted, and decided to paywall them outside of a service I already pay for, which feels bad in principle. But at the same time, I like their music and I agree with them getting paid what they think they’re worth.

    I hove no clear cut thoughts or conclusions, but I can totally imagine different bands/artists trying to find the monetization strategy and platform that works for them and leading to bad experiences for consumers.



  • Somehow I think Podcasts will survive enshittification. The basis is just RSS and file hosting, so at its core, it’s possible to create and distribute podcasts without huge capital investment. There’s always gonna be some people trying to get their voices out and Podcasts still seems to be the easiest way to do that so until some better method comes out, podcasts will live on.

    If you’re talking about Podcast networks, streaming services, ad networks, then yeah, those might face some kind of enshittification and destruction, but no matter what, I’m pretty confident some good podcasts, and some good ways to listen to them, will stick around.





  • I wasn’t into it when it first came out. A big part of the Disney movie experience for me as a kid was the music, so I left disappointed.

    I rewatched it years later and was just mesmerized by the art and overall feel of the movie. Got the feeling that if it came out as a Dreamworks, or some other studio’s movie instead it would have been better appreciated, but could just be me.