This is nothing new, been the story across media since Tolkien, really.
The mid nineties to the turn of the century was a special time. We got Morrowind, Sid Meier’s Alpha Centauri, even Ultima 8 had a pretty interesting setting (even if the gameplay was atrocious). I’m sure there were other games and fiction with interesting settings as well.
Then the LotR films came out, and that was it. Everybody started bandwagoning hard.
I mean… sure if you only play games that have that same feeling?
Like oh no BG3 is just elves & Brittania… Duh?
So play WotR and at least go to the Abyss?
Or play any game based not on Tolkien lore? There’s a ton of games based on different mythologies: Raji, Prince of Persia, Tribes of Midgard, Hades, Wo Long, etc.
Or just play games set in just completely different worlds? Pyre/Transistor/Bastion are all interesting worlds. Remnant I/II is a neat concept. etc. More playful stuff like Cuphead/Death’s Door, etc.
Or look at some MMO’s if you want larger worlds with different influence? Guild Wars 2 is pretty decent as far as a good variety with its world/races for example, even if its still similar to a generic fantasy setting.
I think Skyrim ruined a lot of fantasy for me. It’s such a great game that many other settings cannot live up to it.
Idk, personally it was very unengaging and the only way I found it amusing was through a ton of mods or Enderall’s total conversion mod. But everyone’s into different shit.
It’s weird particularly to see that praise for Skyrim when (imo obviously) morrowind in the same series had a substantially more interesting story and world, a decade prior
I think Skyrim was a big entry point for a lot of fans who haven’t played the earlier games. I do agree though, Morrowind is amazing and is, in my opinion, a better game than Skyrim. Skyrim is kind of a dumbed down Morrowind.
Even worse, it’s a dumbed down Oblivion, which itself is a dumbed down Morrowind.
I always thought Oblivion was a much better setting than Skyrim, but I replayed Oblivion recently and I realized nostalgia was doing a lot of heavy lifting. I came away not knowing really what to think. Oblivion still held up and was clearly a great game but it wasn’t perfect and was a bit dated (Jeez I mean skyrim is also dated lol). Maybe everyone just kinda feels that special something about their first ES game lol.
Edit: I should add, I also played Morrowind somewhat recently (much longer after playing the original two) and it was also a great game but didn’t seem necessarily better than the other two.
Edit: Edit: I also played daggerfall, it was very ok lol
Edit: Edit: Edit: I also played ESO, 5/10
Skyrim was a significant improvement over Oblivion, in every way I can think of. Only Oblivions quest lines were better, but that’s not what I go to an open world game for (and I found the extreme mismatch between the cinematic plots and open world gameplay immersion-breaking). And while Morrowind has a much more interesting setting (and the plot weave that encompassed that setting was brilliant), Skyrim was the first entry since Daggerfall to really give me a decent first person action RPG feel.
This is true of just about every story telling trope in every genre of every form of media right now. The gems that stand out genuinely change the formula, because otherwise, we’ve seen it all before.
You should have seen that long post someone did on “why I hate your favourite story-telling game”, on Beehaw last month.
I’ll edit it in once I find it.
Found it! Beehaw link Original link
That is an interesting read. Everyone in the comments are ripping the author as pretentious oof lol. As I said in my OP, I think this problem goes much deeper than shallow video games. Movies and TVs are struggling to find novelty in the endless deluge of content we’re currently experiencing. (Books and webserials seem to be doing more ok but I’m also a lot pickier about what I’ll consume there so its selection bias) We’re in an infinite monkey typewriter situation and at this point it seems mostly random when something is just different enough to be good television. A tale as old as time, the situation remains: the best stories are character driven.
95% of everything has always been crap. We live in a golden age where we have enough non crap at our disposal that we never have to watch anything awful if we don’t want. You will, however, have to look for it – it’s scattered among a dozen services and you’ll need to engage with reviews and social media to find what you’re looking for, most likely.
There’s also a filter of time thing going on, where we forget the shitty media of the past. 1992 gave us Reservoir Dogs, A Few Good Men and My Cousin Vinny. It also gave us Pet Seminary 2, BeBe’s Kids and Love Potion Number 9. So was it a good year or a bad year?
This isn’t a well formulated idea but something that’s been kicking around in my head for a while. There have always been bad movies and TV but I think what is somewhat new is that the blockbuster films are so big budget that it’s always “a good movie” in that its well made but the substance is always lacking. It’s kind of a bizarre and unsettling feeling watching a well produced 200 million dollar movie that kinda… sucks? Is boring? Because movie magic has become so commodified its hard for a movie to ride on flash and sparkle alone.
Ah, I’ve seen this problem in storytelling broken down to this:
You don’t want your story to be a bunch of “and then and then and then.” You want your story to be “because this happened, this other thing happened, then because of that, this other thing happened.” Etc etc.
Still a good read.
You’ve not played Caves of Qud, I see.
I can understand why fantasy settings are pretty stale, not just in games but in a variety of other media as well. Fantasy can be complex, and using old, familiar tropes (elves are haughty and love nature, dwarves are stubborn and love gold, humans are the world’s jack-of-all-trades) lowers the barrier to entry, which is really important when you want something to be easily marketable to as large an audience as possible. People know what to expect from familiar fantasy tropes, which means they can focus on plot and gameplay rather than going “so what’s that character supposed to be?”
But it’s boring. I love it when a fantasy setting isn’t afraid to trust the intelligence and curiosity of its audience and do something weird.
Anime if anything seems to be doing worse at this. Nearly every fantasy or fantasy adjacent anime goes for a knock-off D&D MMO style and it feels so tired. They don’t want their audience to need to make the smallest effort to understand the world and the role of the characters in it.
Dr. Stone, Attack on Titan, Demon Slayer, Jujutsu Kaisen – you don’t have to look very hard to find anime that doesn’t look anything like western fantasy
The person you were replying to was explicitly talking about current (‘new’) anime, not industry darlings like AoT.
Dude, the last episodes of AoT haven’t even aired yet, how current do you want?
I was explaining what they meant, I don’t personally care. Their complaint, as I understood it, was an absence of new and original work.
Tolkienesque fantasy has become the carbon copy of a carbon copy of a carbon copy ages ago…
And it becomes even more apparent when people consider that Tolkienesque fantasy tropes aren’t even about “medieval Europe”, they are about a particular English pseudo-medieval world. Fantasy doesn’t do much exploring even beyond the English-speaking world.Southern Europe (Italy, France, Spain,…) aren’t even featured much. The landscape may allude to it, but then the same Northern European castles sit on the top of hills, occupied by the same kind of lords that you’d find in other parts of the game map.
And other parts of the medieval world do not fare much better: Everything around the Mediterranean is reduced to stereotypes or entirely replaced by some fantasy race. Every place outside of Europe/the Mediterranean fares even worse.
It has no depth, no knowledge of particular local traditions, it is not rooted in any stories, only recalls the same tired tropes that Tolkien established.Even inside Europe and around the Mediterranean, the medieval world was very diverse. Every region had its own traditions, stories, clothing, customs and its own mythologies with their own particular kinds of monsters and creatures.
But you’d not know through most fantasy stories which - no matter the landscape they take place in - it always boils down to a band of adventurers walking into an inn, drinking a beer and paying it with gold coins, before they go off to kill some orcs in the name of some duke. Very little thought is spend on considering if it even makes sense that a place that is akin to - let’s say - Southern France had any of these things.When Tolkien wrote LOTR, he based most of it on ancient Germanic stories like “Beowulf”, that there are uncountable other folktales and stories from all over the ancient world which could be chosen as the basis of a fantasy setting instead.
